Kevin McGeary reviews a new story collection, The Book of Shanghai
In 2019, the Globe and Mail published an op-ed titled ‘Welcome to Shanghai: Capital of the Future.’ In it, the author describes his experience of visiting the city as like “walking through the looking glass into the future.” Citing the city’s “muscular” building strategy, colossal scale, citizens’ entrepreneurial energy, and (of course) China’s ancient history, much of the article would not have been out of place in The Global Times. While he says London and New York are “the world’s current leading cities,” some of his arguments as to why Shanghai is primed to overtake them are strong.
Yet fiction leaves more room for exploring the conflict between how a city sees itself and how the world sees it. At its best, literature can capture both the appealing and the abhorrent aspects of a particular time and place. As editor Jin Li mentions in his introduction to a new collection of fiction based in the city, The Book of Shanghai, unlike Beijing, Xi’an or nearby Hangzhou, Shanghai did not become a major city until after the first Opium War when the colonial powers used it as a port. From its hey-day in the 1920s, Shanghai was an important hub through which an ancient culture entered the modern world.